'Dangerous', by Milo Yiannopoulos (self-published)

Milo's Dangerous

I had to read 'Dangerous', by provocateur Milo Yiannopoulos (aka Milo Hanrahan, aka Milo Andreas Wagner as a previous pen name) off my Kindle. The first print run (apparently 100,000(?) copies, self-published under the trademark 'Dangerous Books') sold out before Amazon could ship to me, so I forked out an additional $2.99 to get it now. I hope others will buy my 'Do Ask, Do Tell' series on Kindle. In the meantime, I'll' just wait for my hardcover copy when it gets printed in a second run.

OK, I'm getting ahead of myself already. There is a lot of commonality between what Milo says and what I say in three books, even if the organization and expressive style is very different. But this is almost like a 'Do Ask, Do Tell V book (the first three are mine, and then a sketched out a IV online in 2016 here).

Remember, Simon and Schuster had cancelled trade publication of his book after the 'scandal' Feb. 20 over supposed advocacy of 'pedophilia.' In fact, the correct term is probably ephebophilia, or perhaps hebephilia. There is a curious parallel to an incident in my life regarding Google-finding materials on my own website when I was working as a substitute teacher in late 2005, which I've discussed on these blogs before. The new version of this book contains Milo's explanation of this matter in the introduction. I am certainly convinced that Milo said or did nothing to suggest approval of illegal sexual activities with minors, although the age of consent varies among western countries and even among states in the U.S. (and in some states, like California, it is still as high as 18).

I didn't find a table of contents on the Kindle, so it's a little clumsy to verify, but there seem to be twelve chapters. The first ten are based on 'Why (Identity Group n) Hates Me'. The last two are based on who does like his message (like GamerGate).

This may seem like a self-indulgent way of presenting one's argument. I am reminded of how Gustav Mahler titled each of the last five movements if his massive Symphony #3 'What (X) Tells Me'. I'm also reminded of Pastor Rick Warren's 'The Purpose-Driven Life' (2002), where the minister argues 'It's not about you.' But for Milo it is. But given the history of violent reactions of foreign-organized protestors at some of Milo's events (his 'Dangerous Faggot' tours), which he discusses toward the end of the book, it seems appropriate.

I'd like to note the comparison of they way Milo organizes his material to how I did I started the first DADT book with an autobiographical narrative, in time sequence filled with ironies, motivated by the debate on gays in the military and how it had intersected into my life. Then I switched over to topical discussion as my issues fanned out. The second book was a series of topical essays, focused mostly on two themes: a 'Bill of Rights II' in the context of 9/11. Book 3 reiterated the autobiographical narrative and added some topical fiction pieces. But, yes, a lot of this was 'about me'. But my scope was always expanding into more areas.

So, I've always been concerned with the central question, of how someone who is 'different' aka 'special' should behave in the face of collective social pressures (to conform to the norms of the peer group and to 'carry one's weight' or share of the common risk). That concern can be discerned from Milo's material. My driving and organizing principle was 'personal responsibility' but I had to constantly enlarge upon what that means. It involves a lot more than facing the direct consequences of one's choices. Dealing with stuff that happens 'to me' has to start with 'me' (so, it matters if people 'hate' me). But I realize this can become 'dangerous' (Milo's wordmark) if overdone, and invite political authoritarianism, which is exactly what is testing America and western Europe right now. So, in a broader sense, 'the people' matters too. My father always used to say, 'The majority has rights, too.'

The end result is that Milo's book, if moderate in length, seems monumental. In reviewing his list of 'enemies' (and, by the way, I was told in my college years that 'you have a tendency to make enemies') he covers a wide range of important incidents.

The list of people he encounters comes across like Chaucer characters (indeed 'A Canterbury Tale' is one of my own favorite classic films). He covers Shaun King, the civil rights activist claiming to be 'black'. He gives a reasonable defense of the police in Ferguson MO in considering Michael Brown's behavior ('Why Black Lives Matter Hates Me'). He goes into some detail over how he got banned from Twitter (Breitbart account) over supposedly encouraging retribution against (the remade) 'Ghostbusters' actress Leslie Jones, where he says he was set up, (Indeed, 'Why Twitter Hates Me'. He gives a curious defense of Martin Shkreli in the HIV drug fiasco (and Shkreli has since been prosecuted on other matters).

In explaining why mainstream gays hate him (he thinks, I'm not sure they do) he takes up the case of writer Chadwick Moore. He delves into the moral dualism of male homosexuality in a way that reminds me of George Gilder ('Men and Marriage', 1986), considering it somehow unnatural as counter to procreation yet, he says, gay men usually are thinner, smarter, richer and more successful than straight married men, partly because they (the straights) are weighted down with a family to support or wives to pamper and cook for them. He sees gay marriage as illogical ' needing the idea of traditional marriage, with all its self-surrender ('the two become one flesh', etc) in order to have something to stand apart from. I know the feeling and covered the same sentiments in my own books: equality cuts both ways, when you don't have dependents.

Ironically, he worships himself and certain other gay men as shamans or perhaps angels. (If you could be immortal, you wouldn't need to reproduce - there is a jellyfish that actually does this by going through regression, as in The Curious Life of Benjamin Button. Unfortunately, the teenage Clark Kent in 'Smallville' is presented as straight (not sure what kind of kids he could rather). Psychologists call his style of relating to people personally as 'upward affiliation'. That was an issue when I was a patient at NIH in the later part of 1962, where I was diagnosed as 'schizoid'. I just didn't get much of intimacy with others (anticipation of the 'family bed') unless the partner would be perfect enough. But I was seen as possibly indicative of a dangerous trend accompanying the newly nerdy science and bookishness of the Cold War era = a slipping back into a perception that a personal level some people would no longer matter if they didn't stay perfect enough. What had we just fought World War II about two decades before? Body fascism?

But the early chapters do present a convincing read on why Milo feels so repelled by the authoritarianism of the far Left, and it is trying to pimp victimhood and draw everyone into identity politics, demanding loyalty to political leadership to speak for them as marginalized minorities. Milo particularly explains the idea of intersectionalism or 'intersectionality', a concept that author Benita Roth took for granted in her book on ACT UP which I reviewed here June 14.

Indeed, the Left often wants to suppress clear and objective independent speech from its own constituent individuals, because the Left fears that brining up complete arguments just gives fuel to its enemies and rationalizes 'oppression' against less competitive individuals. I share this concern myself (as I outlined particularly in Chapter 3 of my own DADT-3 book). In this regard, Milo minces no words in reaffirming 'fat shaming', that obesity is unhealthful as aesthetically ugly (or is beauty if the eyes of the beholder - like in that 1970 song 'everything's beautiful in its own way' although the early Nixon-laden 1970s were also a time when machete jokes about beer bellies were socially acceptable sometimes). I'll add that I had named Chapter 2 of my DADT-3 book 'The Virtue of Maleness', a notion many would find oppressive (like to 'trannies' or 'gender fluid' people). Milo almost comes to making my point, that in the past many people saw open male homosexuality as a distraction for other men from trying to father children at all - which is one reason why Russia passed its anti-gay propaganda law in 2013.

In developing the duality of his own attitude toward his own homosexuality, Milo mentions one of his favorite authors, books, and films: The Picture of Dorian Gray by Oscar Wilde. I rather like the idea of seeing more in a fixed image of one of my own 'idols'. I read it myself in 12th Grade for a book report (as I also read H. G. Wells's Meanwhile and Nevil Shute's In the Wet).

One of the last chapters is 'Why Muslims Hate Me' and this chapter is the darkest one. He indeed sees all Islam as radical Islam, and sees Islam as by definition political and seeking to impose itself on non-Muslims. He gives particular attention to the assassination of the staff of Charlie Hebdo (in January 2015, ten months before the 11/13 Paris attacks) and views the Jyllens-Posten Cartoon Controversy the same way as free speech advocate Flemming Rose ('The Tyranny of Silence'), as dealing with a consciously and deliberately combative culture that sees enemies everywhere. Milo points out that Charlie Hebdo (don't confuse with l'Hebdo, which has stopped) had been a relatively small publication, so radical Islam was willing to put it in the limelight ('Je suis Charlie') by attacking it, which sounds like an self-defeating irony to a western person. Think about North Korea ('The Interview') the same way.

Milo denies he is part of the 'alt-right', no less a leader of it, and denies any belief in racial superiority of any group. (He dates black men, he says.) He gets into the misuse of the 'Pepe the Frog' meme. He denies that he is a libertarian, but he seems like a 'moralistic libertarian' to me, somewhat like Charles Murray (who has also been the target of attacks at speaking engagements). He considers 'troll' a desirable label, and his advice to young men is to become hot. We're seeing personal attitudes privately held in the gay male community for decades going public online, and suddenly perceived as hurtful.

I can certainly imagine this book as a documentary movie, although it might take a strident course like some of Steve Bannon's Citizens United films. By comparison, my own narrative seems even more personal and ironic, but indeed filled with instructive twists. But I would be interested in working on a documentary about gay conservatives if someone wanted to film Milo's book (and not yet do mine). There is a 2004 documentary Gay Republicans (legacy review).

Author: Milo Yiannopoulos (aka Milo Hanrahan, Milo Andreas Wagner)

Title, Subtitle: Dangerous

publication date 2017

ISBN 978-0692893449

Publication: self; 288 pages, endnotes, 12 chapters

(Originally posted: Thursday, July 13, 2017 at 5:30 PM EDT)

CategoriesB-Books, biography, crimes against minors, Islam, LGBT, libertarian

TagsBreitbart, identity politics, intersectionality, Milo Yiannopoulos